To answer the question of where to start with Martin Scorsese, it’s important to understand who Martin Scorsese is. Born Martin Charles Scorsese in 1942, the now famous filmmaker grew up in New York City’s Little Italy neighborhood and fell in love with cinema at a young age. After studying film and education at New York University (NYU), he has gone on to work in the film industry in a variety of positions. He was assistant director and supervising editor for Michael Wadleigh’s Woodstock (1970), a title widely regarded as one of the greatest documentaries in American cinema. She then went on to direct documentaries on his behalf, and while he has worked in a variety of styles and genres, it is his work on gangster films that he is best known for.
Martin Scorsese was part of the American songwriting wave of the 1970s and is arguably the most successful artist of the bunch. He exemplifies the traditional idea of arthouse film. While Steven Spielberg And George Luke they were working on the Hollywood blockbusters that Scorsese was making Taxi driver, New York, New YorkAnd Wild bull, three different films that varied with audiences and critics but were unquestionably Scorsese films. As a lifelong cinephile, his films have always been influenced by Hollywood’s past and have continually alluded to the history of cinema through style, genre and direct homage. In addition to cinematic appeal, his films draw inspiration from his own upbringing. His gangster films reflect the ethos of his Italian youth and culture, converging with the grand dreams and excesses of American society in both style and content. His editing and cinematography of him are as striking as any of the characters, each of which is driven by powerful performances.
There are all kinds of places to go inside Martin Scorsese’s cinema. The goal of this piece is to start at the roots, really understand what made Scorsese such a great filmmaker and storyteller, and grow towards his magnum opus of him. This is Where to start with Martin Scorsese.
1. Bad Streets (1973)
Bad roads it was Martin Scorsese’s third successful feature after initial recognition for his student films. He wrote the story and co-wrote the screenplay, and this is thought to be the first film where he was truly in control of the production. In his 1979 book “American movie now”, described the critic and author James Monaco Bad roads as Scorsese’s only major achievement, noting its status as a personal and original film (154).
Harvey Keitel plays a small-time gangster in Little Italy, and the character’s hands-on vision at the beginning of the film speaks to Scorsese’s views on Catholicism: “You don’t make up for your sins in church. You do it on the street. You make it at home. The rest is bullshit and you know it.” Keitel’s Charlie struggles to thrive on the streets, his problems exacerbated by Robert De Niro’s character Johnny. The film is rough around the edges, but full of style. The red lights of a bar and street level gangsters offer a different look at the gangster genre than Francis Ford Coppola’s The Godfatherreleased the year before.
It’s important to see Bad roads because of how the film functions as a basis for Scorsese’s future work. This was the director’s first collaboration with Robert De Niro (with whom he collaborated on some of the most iconic films of the time), it was a fresh take on the gangster genre, he took the then unusual route of featuring hip music in his soundtrack, and his storytelling truly drives home the tragic nature of the human condition. If you’re a cinephile, this is exactly the kind of film people like us loved, the latest film from one of the hottest young directors.
2. Italian American (1974)
Martin Scorsese has a body of documentaries almost as vast as his filmography. The best of him is the most personal of him, Italian American.
Italian American it’s simple enough: Scorsese sets cameras in front of his parents in their New York apartment and interviews them about their lives and those of their family. The parents, Carlo and Caterina, were children of Sicilian immigrants. They have such a fascinating perspective on life due to the working class circumstances they grew up in, and the film shows how people like his parents were able to achieve what they saw as the American dream.
Scorsese’s parents are natural on camera despite Charles’ protests that Catherine is putting on airs. The two are sincere, and give the impression of being seated next to them in the kitchen listening directly to their stories. You can almost taste the meatballs and sauce Catherine cooks – there’s even a recipe for them at the end.
Italian American it is important as a window into the work of this great director as it allows you to see another side of his creative output; a soft side that aims to tell true stories of ordinary people, to blur the lines between film and reality.
3. Goodfellas (1990)
Review Well done guys
Good guys it is Martin Scorsese’s greatest creation as a director and the result of the perspective that making a documentary film and making a fiction film are the same process.
In this 6-time Academy Award-nominated film, Scorsese tells the dramatized true story of half-Irish, half-Italian gangster Henry Hill, based on crime reporter Nick Pileggi’s novel Wiseguy. Good guys has all the style of Bad roads, but it’s incredibly refined after nearly two decades of cinematic experience. The silhouette of the male protagonist digging a grave against a red light is just as striking Bad roads‘ club scene, but its darker nature makes for a more provocative image.
Ray Liotta is outstanding as Henry Hill, hitting a variety of emotional beats that are capped off by a frantic, paranoid coke binge at the film’s end. Robert De Niro and Joe Pesci are the highlights of the cast, but it’s Lorraine Bracco as Henry’s wife Karen who really steals the show. There is no real star in the ensemble cast, which makes the location and lifestyle the focus of the film. Good guys features the allure of the gangster lifestyle and hits all the beats expected of the gangster genre in the late 80’s when audiences had perhaps seen it all.
Martin Scorsese’s past and future films deal with similar themes to Good guys, but none are as visually compelling. The film is dynamic, the editing and cinematography evolve with the characters throughout the film, and its function of representing reality makes it different from Bad roads or even fantastic genre The Godfather, natural performances elevate the film beyond a general desire for unobtrusive acting. Catherine Scorsese herself even makes an appearance for her in a completely improvised scene. When it comes to Martin Scorsese’s filmography, Good guys is unbeatable and is a must for anyone seeking an opportunity to experience the unique cinema of this great American filmmaker for the first time.
Recommended for you: Where to start with David Lynch
You can’t go wrong looking at anything in Martin Scorsese’s filmography, but these three films will give the most insight into this legendary author’s interests, background, and outlook on life. You should follow the advice in this piece, then Taxi Driver, wild bullAnd Casino they are great places to go after.
#start #Martin #Scorsese #film #magazine